by admin | Oct 27, 2022 | Critics MESS 2022, News Festival
SARA-JE-VO: How to heal a soul? By: Stela MiškovićThe premiere of the dance performance „Sara-je-vo“ by choreographer Edhem Jesenković took place at the Sarajevo Youth Theater last night (performed by dancers Mojca Majcen, Ognjen Vučinić, Miona Petrović, Luka Ostrež,...
by admin | Oct 27, 2022 | Critics MESS 2022, News Festival
AMORE: Love, deadly and navigable By: Lamija MilišićAs the audience is gathering at the auditorium of the Sarajevo National Theater, a bent tree surrounded by red stones numbly greets them from the stage. The first banal association with the imagery comes in the form...
by admin | Oct 27, 2022 | Critics MESS 2022, News Festival
PICTURE PERFECT: “It is not about feeling, it’s about showing” By: Stela MiškovićThe performance “Picture Perfect” by director Achim Wieland engages the audience from the very beginning. We are instructed to prepare ourselves for the performance, to turn up thirty...
by admin | Oct 27, 2022 | Critics MESS 2022, News Festival
OEDIPUS REX: One-way ticket By: Stela MiškovićUnlike the majority of other modern interpretations of Sophocles’ „Oedipus Rex“ in which, precisely for modernity’s sake, there is an evident attempt to deflect from the very being of ancient tragedy, from the...
by admin | Oct 27, 2022 | Critics MESS 2022, News Festival
LJUBIČASTO: Let me go, I’m going for a walk By: Stela MiškovićHaving gained shape without an actual text, through mutual improvisations and building of relationships and the text itself, based on an idea and structure developed by director Selma Spahić, „Purple“...
by admin | Oct 27, 2022 | Critics MESS 2022, News Festival
THE REPUBLIC OF BAKLAVA: The Utopian Naiveté By: Lamija MilišićOn the fourth day of the 62nd edition of the International Theater Festival MESS, the audience at the Sarajevo National Theater had the opportunity to see “The Republic of Baklava”. This was the first time...